Music Archive for the Pacific

Bibliography & Library Access


PNG Artifact

Index:



2. Bibliography

Australian References:

Anderson, P., May 30, 1992, Didjeridu-Yaa Tribe, New Music Express

Beckett, J.,1958, Aborigines Make Music , Quadrant No 8, Spring

Beckett, J.,1965, The land where the Crow Flies Backwards, Quadrant July-August

Beckett, J., 1965, Aboriginal Balladeer, The Australian 3 July :12

Beckett, J., Jan 1967, The Land Where the Crow Flies Backwards, Australian Tradition Vol 3 No 4 Breen, M (ed), 1989, Our Place, Our Music, Canberra: Aboriginal Studies Press.

Breen, M.,1992, 'Desert Dreams, Media Interventions in Reality' in Garofalo, R (ed) Mass Music and Mass Movements, Boston (USA); South End Press.

Brutton, M.,1980, The Songs of Detribalised Aboriginal Country and Fringe Dwellers Tjungaringanyi Vol. 6, No 2,CASM, Adelaide.

Brutton, M.,1982, Western Impact on Aboriginal Music Media Development Vol 29, (No 1 of 1982), London.

Castles, J.,1992, 'Tjungaringanyi: 'Aboriginal Rock' in Hayward, P. (ed) From Pop to Punk to Postmodernism, Sydney: Allen and Unwin.

Chi, J.,1991, Bran Nue Dae, Sydney: Currency/Magabala

Chi, J. Manolis, M and Harper, R., 1985, Broome Song Writers, Hodja Educational Resources Coop, Richmond, Victoria, With Cassette.

Chi, Jimmy & Knuckles, 1991, Bran Nue Dae - A Musical Journey, Currency Press, Paddington NSW & Magabala Books Aboriginal Corporation, Broome WA.

Crotty, J., 1992, Aspects of Detribalized Koori Music History in Victoria Prior to 1988 (Unpublished) Monash University research paper

Dargin, A., 1992, Radio Interview, Backtracker, Mal Honess, ABC Radio Mid-North Coast, Kempsey, NSW.

Davies, Chris Lawe, Jan., 1993, Black Rock and Broome, Perfect Beat - Volume 1, Number 2.

Dusty, S and Lapsley, J., 1979, Walk a Country Mile, Rigby, Sydney

Ellis, C. J., 1964, Folk Songs amonst the Fringe Dwellers, Australian Tradition, Vol.1, No 5, 1 November.

Ellis, C. J., 1979, Present-day Music of the Aboriginal Student, Australian Journal of Music Education No 25, October, Perth.

Ellis, C.J., Brunton, M and Barwick, L.M., 1988, 'From Dreaming Rock to Reggae Rock', in McCredie, A.D (ed), From, Colonel Light into the Footlights: The Performing Arts in South Australia from 1836 to the Present, Pagel Books, Adelaide.

Ellis, Catherine J., 1985, Aboriginal Music - Education for Living, University of Queensland Press, Brisbane.

Hansen, G., 1990, ' Interview with Archie Roach, Musician, in Koorier 3, June: 21

Hawley, J., 1986, 'Midnight Oils Outback Campaign', Advertiser July 26:23

Hawley, J., 1986, 'Rock and the Stone Age' Advertiser August 3:23.

Hayward, P., 1992, 'Music Video, The Bicentennial (and After)' in Hayward, P (ed) From Pop to Punk to Postmodernism, Sydney: Allen and Unwin.

Hutton, Tiffany, Jan, 1993, Uncertain Identities: Marketing Tabaran, Perfect Beat - Volume 1 Number 2.

Jackomos, A., 1971, Gumleaf Bands - Aboriginal and Islander Identity Vol.1, No 1, July, Aboriginal Publications Foundation, Perth.

Johnson, Rob, Jan., 1993, Looking Out - Interview with Kev Carmody, Perfect Beat - Volume 1, Number 2.

Keir, P., 1992, 'Yothu Yindi', Rolling Stone, No. 466, pp. 72-77

Langton, M.,1993, Well, I Heard it on the Radio and I saw it on the Television, Australian Film Commission, Sydney.

Lawe - Davies, C., 1993, 'Aboriginal Rock Music; Space and Place' in Bennett, T. et al Rock and Popular Music: Policies, Politics, Institutions, London: Routledge.

Malone, A., 1991, Contemporary Urban Popular Aboriginal Music: A Survey of Melbourne and Broome (Unpublished) Monash University Music Department Honours thesis.

McGuinness, B.B., 1989, 'Rock Against Racism', in Koorier 3, September: 12.

McGuinness, B.B & K., 1985, 'Rock Against Racism', in Koorier 2, v1n6

McMillan, A., 1988, Strict Rules Sydney : Hodder and Stoughton.

Miller, R., 1992, "Is this the Birth of the Koori Cool?" Songlines No.3, May.

Mitchell, T., 1992 'World Music, Indigenous Music and Music Television in Australia' Perfect Beat v1 n1 July.

Mitchell, T.,1993, World Music and the Popular Music Industry: An Australian View, Ethnomusicology - Volume 37 Number 3.

Morris, B., 1989, Domesticating resistance: The Dhan Gadi Aborigines and the Australian State Oxford: Berg.

Morley, W.A., 1984, Darwin is Proud of the Mills Sisters, Country Music News Vol.1, No 3.

Muecke, S., 1991, 'Yolngu Culture in the Age of MTV' Independant Media n92 October.

Muecke, S., 1992, Textural Spaces, Aboriginality and Cultural Studies, University of New South Wales Press, Sydney.

Neuenfeldt, K., 1993, 'Yothu Yindi and the Ganma: the Cultural transposition of the Aboriginal Agenda through Metaphor and Music', Journal of Australian Studies.

Neuenfeldt, Karl, Jan., 1993, The Didjeridu and the Overdub, Perfect Beat - Volume 1, Number 2.

Neuenfeldt, Karl, July, 1994, The Cultural Production and the Use of the Didjeridu in World Music, Perfect Beat - Volume 2, Number 1.

Nicol, Lisa, Jan., 1993, Culture, Custom and Collaboration - Yothu Yindi's "Treaty", Perfect Beat - Volume 1, Number 2.

Nicol, L., 1992, 'Culture, Custom and Collaboration - The Production of Yothu Yindi's Treaty videos', Perfect Beat v1 n2 January

Pearce, T., 1979, 'Music and the Settled Aboriginal' in Australian Aboriginal Music, ed. Jennifer Isaacs (Sydney)

Reeve, G., 1985, Music, Life, History and Meaning: An Essay on conrtry music and Aboriginal Identity, Thesis, University of Western Australia, Perth.

Ryan, Robin, July, 1994, Tracing the Urban Songlines - Contemporary Koori Music in Melbourne, Perfect Beat - Volume 2, Number 1.

Ryan, Robin, Jan., 1995, Gnarnayarrahe Waitairie - Claim and Pundulumura, Perfect Beat - Volume 2, Number 2.

Schultz, C., 1975, Project on Aboriginal Music, Barr Smith Library, Adelaide. With cassette.

Simmonds, D., 1990, 'From Motown to Ourtown', The Bulletin, 9 October, pp.112-113

Stimac, E., 1992, "The Tribal Voice of Yothu Yindi On the Edge of Edge of Musical Discovery", Drama-Logue June 25-July 1.

Streit-Warburton, Jilli, July, 1993, The 'With Open Eyes' Aboriginal Women's Music Festival - A Review, Perfect Beat - Volume 1 Number 3.

Stubington, J and Dunbar-Hall, P., 1994, Yothu Yindi's 'Treaty', ganma in music.

Sullivan, C., 1988, 'Non-Tribal Dance Music and Song: from First Contact to Citizen Rights', in Australian Aboriginal Studies n1

Thorpe, W., 1985, 'Hard Times in Video Clip', in Koorier 2 v1 n6

Watson, E., 1973, Country Music in Australia Vol.2, Cornstalk via Angus and Robertson.

Webb, M., 1992, Tararan - Intercultural Exchange, Participation and Collaboration , Perfect Beat v1 n2 January.

Yunupingu, Mandawuy, 1992, 'Black and White', Rolling Stone, No. 471, p. 33-34

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Papua New Guinea References

Avei, P. (1989 ) " Copyright Law Issue Gets Mixed Reaction ", Post - Courier, 13/1

Dunbar-Hall, Peter, Jan., 1995, Lokal Music, Perfect Beat - Volume 2, Number 2.

Fanshawe, D. (1989 ) Musical Mariner, Pacific Journey.Cover notes from Mercury Records, Inc., CD

Fanshawe, D. (1981) Island Music of the South Pacific. Elektra/Asylum/Nonesuch Records Lp

Feld, S. (1991) " Voices in the Rainforest " Public Culture v4 n1, pp131-140.

Feld, S (1990) Sound and Sentiment: Birds, Weeping, Poetics, and Song in Kaluli Expression, ( Second Edition ) Philadelphia: University of Pennsylvannia Press.

Feld, S., Fall 1991, Voices of the Rainforest, Public Culture Bulletin - Volume 4 Number 1.

Feld, S., Fall 1992, Voices of the Rainforest: Politics of Music, Arena - n 99/100.

Feld, S., Fall 1988, Notes on World Beat, Public Culture Bulletin - Volume 1 Number 1.

Hayward, Philip, Jan., 1995, A New Tradition - Titus Tilly and the Development of Music Video in Papua New Guinea, Perfect Beat - Volume 2, Number 2.

Hayward, Philip, July, 1993, After the Record - Tabaran, Television and the Politics of Collaboration, Perfect Beat, Volume 1 Number 3.

Horsfield, J et al (1988) " Australia Penetrates The South Pacific: A Comparative Analysis of the Introduction of Commercial Television Into Fiji and Papua New Guinea " paper presented to the 1988 International Television Studies Conference, University of London Institute of Education July 1988.

Hutton, Tiffany, Jan, 1993, Uncertain Identities: Marketing Tabaran, Perfect Beat - Volume 1 Number 2.

Joku, H. (1983) " Black Brothers Stole Our Yalikoe - Sanguma ", Nuigini Nius, 11/3

Kalo, K. et al. (1987) " The Report of the Board of Inquiry into Broadcasting ( including Television ) in Papua New Guinea ", Port Moresby: Government Printer.

Kombi, J.B. (1984) " Painim nek bilong Wes Sepik ", Wantok Niuspepa , 4/2

Krempi-Pereira, S. (1984) " The Urban Music Situation in Papua NewGuinea, 1977-1984 ", Port Moresby: Music Department, National Arts School.

Le Brun Holmes, S. (nd) Music and Sounds of Melanesia. Notes accompanying 12 ", 33 1/3 rpm disc.

Leimbach, B. (1987-1989) Pacfic Journey: Adventures of a Musical Mariner ( Two-part 16 mm film ). Lucky Country Productions/Wgbh Educational Foundation.

Lulungan, T. (1983) " Tolai Music ", Bikmaus v4n3.

National Information and Communication Policy Committee (1993) " National Information and Communication Policy of Papua New Guinea ", Port Moresby: Division of Policy Research, Department of Information and Communication.

Niles, D. (1980) " What is Papua New Guinea Music ? ", Bikmaus v1 n1.

Niles, D. (1992) " Collection, Preservation, and Dissemination: The Institute of Papua New Guinea Studies as the Centre for the Study of all Papua New Guinea Music " in Moyle, A.M. (ed) Music and Dance of Aboriginal Australia and the South Pacific: The Effects of Documentation on the Living Tradition, Sydney: Oceania Press.

Niles, D. (1992) " Traditional and Contemporary Concerns Relating to Copyright in Papua New Guinea ", Phonographic Bulletin n61, November.

Not Drowning, Waving (1990) Cover Notes accompanying Tabaran, WEA:1-21.

" Novorab Kid " (1984) " Compose Your Own ",Post-Courier, 8/6.

Philpott, M. (1992) " Revival and Restructuring: The NBC of Papua New Guinea ", Media Information Australia n66, November.

Philpott, M.(1993) " Papua New Guinea: Developing a National Communication Policy ", Media Information Australia n68, May.

Philpott, Malcolm, July, 1995, Developments in the PNG Music Industry, Perfect Beat - Volume 2, Number 3.

Ruina, B.F.R. (1986) " Kopiket na bagarapim musik ", Wantok Niuspepa, 1/2.

Sheridan, R. (1958) Music of New Guinea, the Australian Trust Territory: An Introduction. Cover notes accompanying 33 1/3 rpm disc. Wattle Recordings, D2.

Siwi, P. (1990) " Give PNG Music a Chance ! "Niugini Nius,22/2.

Stewart, J. (1993) " EM-TV: The First Six Years of Broadcast Television in Papua New Guinea ", Pacific Islands Communication Journal v16n1.

Sullivan, N. (1993) " Film and Television Production in Papua New Guinea: How the Medium Became the Message ", Public Culture n11.

Tauwala, B. (1984) " Copyright", in Krempl-Pereira, S. (ed), The Urban Music Situation in Papua New Guinea from 1977 to 1984, Waigani: National Arts School.

Toturi, K. (1985) " Copycat Musos ",Post-Courier, 8/6.

Webb, M. (1993) Lokal Musik-Lingua Franca Song and Identity in Papua New Guinea, Boroko (PNG): National Research Institute.

Webb, Michael, Jan., 1993, Tabaran - Intercultural Collaboration, Perfect Beat - Volume 1 Number 2.

Webb, M. and Niles, D. (1987) " Periods in Papua New Guinea Music History ", in Bikmaus v7n1.

Wild, M. (1993) " The Growth and Direction of the PNG Music Video Industry " , paper given at the PNG Ethnomusicology Conference, July.

Wilson, C. (1983) " The Impact of Rock ' n ' Roll on the Music Perceptions of Young Papua New Guineans ( with particular reference to National High School Students )", Bikmausv4n3.

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New Zealand References

Baillie, R (1994) 'Our Streets Are Grooving', NZ Herald, 25/3/94.

'Barbie', (1993) 'Moana and the Moahunters' (interview) Rip It Up n192, July.

Beatson, P (1991), Review of 'Once Were Worriors' by Alan Duff, Landfall v45 n3, September.

Bollinger, A (1994) Review of Emma Paki, 'Greenstone', Real Groove n25, December.

Bourke, C. (1992) 'Brothers and Sisters', Rip It Up n179, June.

Buchanan, K. (1988) 'The Upper Hutt Posse: Music with a Message' Music in New Zealand, Summer 1988-89.

Campbell, D. (1991) 'Rasta Reggae', Rip It Up n169, Sept.

Chadwick, T (1994) Review of Hirini Melbourne & Richard Nunns, 'Te Ku Te Whe', NZ Musician v5 n2, October.

Courtney, H (1990) 'Moatown', Broadsheet, March.

Dart, W (1994) 'Te Ku Te Whe: Rediscovering a Tradition', Music In New Zealand n24, Autumn.

Derby, M & Wilson, H(1995) ' Pacific Islander Radio and Music in Auckland', Perfect Beat, v2n2, January.

Dix, J (1988) 'Stranded in Paradise: New Zealand Rock'n'Roll 1955-1988, Wellington: Paradise Publications.

Eggleton, D (1991) Review of Jazz Waiata, Landfall v45 n3, September.

Findlay, K. (1993) 'Maori radio: Where is it going?' Mana v1 n1, Jan.

Gee, K. (1990) 'DAT's the Way I Like It: Upper Hutt Posse', Rip It Up n142, Jan.

Gifford, A (1994) 'Warriors Once Again', Planet n14, Spring.

Goldson, A (1994) 'Reading Warriors', Midwest n6.

Hayward, P, Mitchell, T and Shuker, R(eds) (1994) 'North Meets South: Popular Music In Aotearoa/New Zealand', Umina (Australia): Perfect Beat Publications.

Hogg, C (1995) 'Greenstone Girl', The NZ Listener, 21/1/95.

Hunter, S (1995) 'Grooving to sounds rooted in the Pacific', Evening Post, 9/3.

Ioane, S (1987) 'New Zealand: changing arts and cultures of Pacific Islander migrants' in Hooper, A et al, op cit.

Lewis, B (1994) 'Lee Tamahori's Once Were Warriors', Cinema Papers n102, December.

Macdonald, A (1991) 'Stalking Success', More, May.

Mitchell, T (1994) 'He Waiata Na Aotearoa - Maori & Polynesian Music', in Haywood, P, Macdonald, T and Shuker, R (eds).

Mitchell, T (1994) 'He Waiata Na Aotearoa: Maori & Polynesian Music in New Zealand', Perfect Beat v1 n4.

Mitchell, Tony, July, 1995, New Urban Polynesians - Once Were Warriors, Proud and the South Auckland Music Scene, Perfect Beat - Volume 2, Number 3.

Molnar, H (forthcoming) 'Indigenous Broadcasting in Australia and the Pacific', PhD thesis, Monash University.

Rae, F. (1992) 'Annie Crummer' Rip It Up n185, Dec.

Reedy, E. (1993) 'A Passion For Maori Music', Mana v1 n1, Jan.

Reid, G., 1992, New Zealand's Maori Music a Genre Melange, Billboard - May 30.

Reid, G (1994) 'Tour Teaches Pride', NZ Herald March 25/3/94.

Reid, V (1994) "Phil Fuemana Interview', Giveway n4, Nov/Dec.

Robinson, N (1995) 'Word Warrior', The Australian, 28-29/1/95.

Shopland, A (1993) 'E Tu', NZ Musician, v4n4, August.

Sullivan, R (1990) Jazz Waiata, Auckland: Auckland University Press.

Tamahori, L (1994) 'Directing Warriors', Midwest n6.

Thomson, M. (1991) 'A New Song: Women's Music in Aotearoa', Music in New Zealand, Winter.

Unattributed (1995) 'Purest Form', in Misa, T (ed) Achievers 96, Wellington: Pacific Island Business Development Trust.

Unattributed (1994) 'Urban Disturbance & 3 The Hard Way', NZ Musician, v4 n8, April.

Vann, A (1994) 'Loud About Proud', Rip It Up n205, September, 6.

Vui-Talitu, Sara, Jan., 1996, AEIOU - Music Video and Polynesian Communication, Perfect Beat, Volume 2 Number 4.

Walker, P (1994) 'Hirini Melbourne: A Tribute', Music In New Zealand n24, Autumn.

Walker, R (1994) 'Te Karanga: Getting Real', Metro n158, August.

Waitangi Tribunal (1990) Report on Claims Concerning the Allocation of Radio Frequencies (Spectrum Report).

Waitangi Tribunal (1986) Te Reo Maori Report.

Whaanga, P (1990) 'Radio: capable of carrying a bicultural message?' in Spoonley, P and Hirsh, W. (eds) Between the Lines, racism and the New Zealand Media Auckland: Heinemann Reid.

Williams, M (1991) 'An Interview with Witi Ihimaera', Landfall v45 n3, September.

Wilson, H (1994) 'Ite Wa Whakapaoho Ite Reo Irirangi- Some Directions in Maori Radio', Perfect Beat v1 n4.

Wilson, H (1993) 'Broadcasting in the Treaty of Waitangi', Media Information Australia n67, February.

Yuzwalk, D (1991) 'Black Pearl: Moana and the Moahunters', Rip It Up n162, Jan.

Zepke, S (1993) 'Dean Hapeta: The Medium Is The Massage', Music in New Zealand n23, Summer.

---(1994) '"Otara sound" creates proud new Kiwi era', Sunday Star Times, 17/4/94.

---(1994) 'Te Wa Whakapaoho i te reo irirangi: some directions in Maori radio', in Hayward, Petal(eds)North Meets South - Popular Music in Aotearoa/New Zealand, Umina(NSW): Perfect Beat Publications.

---(1993) 'Jah Life' and 'Dead Beat', Planet n10, Autumn.

---(1992) 'E Hoa Kaa Hongi Aahau I Te Rangi' Rap, November.

---(1992) 'Maree Sheehan', Rip It Up n185, Dec.

---(1992a) "Magaret Urlich', Rip It Up n183, Oct.

---(1992a) 'New Zealand's Maori Music: a Genre Melange', Billboard v104 n22, 30 May.

---(1992b) ' New Zealand Awards Display Diversity' , Billboard v104 no.1, 25 April.

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Pacific Island Nation References

McLean, M. (1977) An Annotated Bibliography of Oceanic Music and Dance, Wellington: The Polynesian Society.

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Hawaiian References

Adams, L (1965) Forty Years of Guitars and Dance Music in Australia, (unpublished, incomplete manuscript)

Bambrick, Nikki & Miller, Jeremy, July, 1994, Exotic Hula - 'Hawaiian' Dance Entertainment in post-war Australia, Perfect Beat, Volume 2 Number 1.

Barrere, D., Pukui, M.K. & Kelly, M (1980) Hula: Historical Perspectives, Honolulu: Bishop Museum

Brozman, B (1985) 'Sliding Steel' , Frets, (GPI Publications) n78 August

Chun, G. (1991) 'A Closer Look at 'Jawaiian'', Honolulu Advertiser, October 31.

Coyle, Jackey & Rebecca, Jan., 1995, Aloha Australia - Hawaiian Music in Australia (1920-1955), Perfect Beat - Volume 2 Number 2.

Coyle, J (1993) 'Hawaiian Music in Australia', Rhythms, n18

.....(1993) 'Hawaiian Music in Australia Pt. 2',Rhythms, n21

Hayatsu, T. (1982) Buckie Shirakato, Hawaiian Paradise, Tokyo: Sun Create.

.....(1983) Haida Yukihiko, Katsuhiko Suzukake no Michi (Yukihiko and katsuhiko Haida, Path of Sycamore), Tokyo: Sun Create.

.....(1986) Nihon Hawai'i Ongaku Buyoshi (History of Hawaiian Music and Dance in Japan), Tokyo: Sun Create.

Ho, D. (1982) 'Interview', Honolulu, 15(9) Honolulu Advertiser, 1982. 'Editorial', 23 March.

Hopkins, J. (1978) 'Slack key and other notes', Hawaii Observer, 123 (9 March) 1980.

.....(1980) 'Hawaiian Music and Dance', Insight, (Hong Kong)

Hosokawa, S. (1991) 'Umi o Koeta Steel Guitar' ('Steel Guitar Crossing Over the Ocean') Tubasa no Okoku, (Inflight magazine of ANA) Sep.n267.

Hosokawa, Shuhei, July, 1994, East of Honolulu - Hawaiian Music in Japan from the 1920's to the 1940's, Perfect Beat - Volume 2 Number 1.

Kanahele, G. (1977) 'Hawaiian Renaissance ', Honolulu Adervtiser, 24 March

.....(1978) 'Hawaiian Renaissance grips, changes island history', Ha ' Ilono Mele, 5(7)

..... (1979) Hawaiian Music and Musicians. An Illustrated History, Honolulu: University Press of Hawai'i.

Lewis, G.L. ( ) 'Storm blowing from paradise: social protest and oppositional ideology in popular Hawaiian music.' Popular Music, v10 n1, January 1991.

McNeil, Adrian, July, 1995, A Mouse, A Frog, The Hawaiian Guitar and World Music Aesthetics, Perfect Beat - Volume 2 Number 3.

Okamura, J. (1980) 'Aloha Kanaka Me Ke Aloha' Aina: Local Culture and Society in Hawaii' Amerasia, v7 n2.

Pahinui, G. (1978) 'Interview', Honolulu, 13.

Ritte, W. (1982) 'Interview', Honolulu, 15.

Scott, N. (1981) 'The History (in brief) of the Hawaiian Club' (unpublished) mimeo document.

Stevert, J. & Marjean, W. (1990) 'Oahu: Hawaiian Guitar for the Multitude', Guitar Player, November

Todaro, T. (1974) The Golden Years of Hawaiian Entertainment, Honolulu: Tony Todaro Publishing.

Trask, Haunai-Kay. (1982) 'Interview', Honolulu Star Bulletin, 7 November.

Vaughn, P. (1979) 'Interview', Honolulu, 14.

Wikara, B. (1938) 'Hawaiian Wanderings: No 1 Suva', The Popular Musician, June 1st.

Stillman, A.K. (1987) 'Published Hawaiian Songbooks,' Notes, v44 n2.

Stillman, Amy Ku'uleialoha, Jan., 1995, Of what use are published Hawaiian Songbooks?, Perfect Beat - Volume 2 Number 2.

Weintraub, A.N. (1993) Jawaiian and Local Cultural Identity in Hawai'i Perfect Beat, v1 n2.

Weintraub, Andrew, Jan, 1993, Hawaiian Music, Perfect Beat - Volume 1 Number 2.

Whiteoak, John, July, 1995, Hawaiian Music and Jazzing, Perfect Beat - Volume 2, Number 3.

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